The 30th annual edition of the Gene Siskel Film Center’s Black Harvest Film Festival is now in the books, having featured an array of narrative, documentary and short films. The event featured a strong lineup of offerings this year, perhaps the best I’ve ever seen at this festival. In all, I managed to catch six films during the festival’s two-week run. So, with that said, here’s my take on what I watched and what I thought.
Friendship is one of those subjects that doesn’t receive nearly enough meaningful attention in the movies. Yet, when we look at its prevalence in life and the many forms it can take, it certainly provides plenty of fodder for engaging storytelling, given that it’s a topic we can all ultimately relate to – and in myriad ways at that. Films that explore unusual and fascinating expressions of this concept are among the most engaging, as seen in a new documentary that examines what it’s like for old friends to get to know one another all over again in a new context.
What makes us successful as creative beings? That’s a question that scholars, philosophers and artists have been asking rhetorically for eons. Much, of course, depends on the nature of the creation. A lot also depends on the traits and temperaments of the creators. But the actual mix of attributes necessary for achieving such fulfillment may ultimately be difficult to define – or, as the French might say, a certain je ne sais quoi.
Adjusting to new outlooks that override established beliefs can be difficult for some of us. We’ve become so entrenched in certain ways of thinking that it’s hard to embrace new ones. We may not understand the revised concepts, either because they’re too radical or esoteric for us to grasp or because they’re not explained in easily comprehensible ways, perhaps too vague or too overly intellectualized. Or we may simply be unwilling to adopt such new thoughts because they make us feel uncomfortable. But, then, there are also those who take to them readily, either out of curiosity or an undeniably instinctual awareness.
How often do we seriously take the time to contemplate life’s bigger questions? We either preoccupy ourselves with everyday matters that unwittingly prompt us to put these issues on the back burner, or we may view these subjects as too daunting or scary, pushing them into the dark recesses of our consciousness for later handling (opportunities for which almost never surface). But how prepared do these approaches leave us for the time when we really will have to address them?
When faced with difficult situations, it may be tempting to want to turn a blind eye, willingly choosing to remain oblivious and ignorant. By tuning out and wallowing in our own complacency, we have an opportunity to lull ourselves into distraction and denial, hoping that the wishful thinking spawned from such practices will somehow materialize into a bona fide reality. But what do we do when we realize that’s not going to happen, when we understand that we’ve squandered opportunities to solve the issues facing us?
Removing oneself from a difficult situation can be a challenging task. Numerous impediments can infringe on the process, not only making it difficult to execute, but even to launch. That prospect can be exacerbated even further for those in the public eye, their words and deeds scrutinized in virtually every detail.
When all seems lost, we’re left with little to hold onto. Whether we faced with dilemmas in romance, finances, vocation or health, we can easily become despondent when the problems appear overwhelming with no way out.
When we commit to achieving a certain goal, we often believe we need to follow a particular path, doing so with unwavering fidelity. In fact, we may become convinced that it’s the only path to be pursued and that it’s the one that everyone similarly committed must follow. But is that really the case?
“Miss Juneteenth” (2020). Cast: Nicole Beharie, Alexis Chikaeze, Kendrick Sampson, Lori Hayes, Marcus M. Mauldin, Akron Watson, Liz Mikel, Phyllis Cicero, Lisha Hackney, Mathew Greer, Jaime Matthis, Margaret Sanchez. Director: Channing Godfrey Peoples. Screenplay: Channing Godfrey Peoples. Web site. Trailer. Being stuck in our circumstances can be a horrible fate. Such stalemates keep us mired in unsatisfying conditions, preventing us from moving forward. But what’s even worse is not realizing that we are stuck, an exercise in ongoing frustration examined in the new generational drama, “Miss Juneteenth.” In 2004, Turquoise Jones (Nicole Beharie) was proudly crowned Miss Juneteenth, the top honor in a beauty pageant staged in honor of the 1865 freeing of the remaining Black slaves in Texas, two [...]
